Lexus Aura Experiment
LG Signature + Misty Copeland
Lexus: 2020 RC F Track Car
We utilized our PlateLight and DynamicLight technology to create the spots and FrameLight to create high resolution stills of the same content
Genaissance de la Mer
Northface Apex Flex Motion / Interactive.
For The Northface Apex Flex 2018 campaign we shot the stills and motion components simultaneously using our FrameLight technology. The video and interactive images are captured using our PlateLight tech to record two super high speed moving light sources -- also simultaniously -- this was a fun project!
See the still images here.
DIRECTED BY CARLO VAN DE ROER
Showreel
2018 REEL
Read moreLa Mer | The Mystery of La Mer: Uncover the Secret
SAMSUNG SUNRISE GOLD
FISCHERSPOONER MUSIC VIDEO
SONG WRITTEN BY MICHAEL STIPE, CASEY SPOONER, WARREN FISCHER, LE CHEV & JOHNNY MAGEE. MIXED BY STUART WHITE.
DIRECTED BY CARLO VAN DE ROER
PRODUCER, MAY LIN LE GOFF
DIRECTOR OF PHOTOGRAPHY, STEPHEN MEIERDING
EDITOR, WARREN FISCHER
COLORIST, DANIEL SILVERMAN AT MPC
GAFFER, REED NISSON
DIT, DAISUKE YOSHIDA
SATELLITE LAB TECHNICIAN, STUART RUTHERFORD
LIGHTING TECHNOLOGY, SATELLITE LAB
ASSISTANTS, DOUG LANE, ERIC SOUCY, SCOTT RINEHART
SENIOR COLOR PRODUCER, JENNA GABRIEL AT MPC
SENIOR VFX PRODUCER, PAULINA SALAZAR AT MPC
VFX CREATIVE DIRECTOR, ALVIN CRUZ AT MPC
VFX LEAD, JOHN SHAFTO AT MPC
COMPOSITORS, GIULIA BARTRA, JERIC PIMENTEL AT MPC
ASSISTANT EDITOR, IDA CHELENGAR
ANIMATION, DANIEL SPANGLER
GRAPHIC DESIGN, NICOLAS SANTOS
STYLIST, JEFF MAHSHIE
MAKE UP ARTIST, LIZ OLIVER
SET DESIGN, CHRIS RUCKER, AMY HENRY
CAST, CASEY SPOONER, JOHNNY MAGEE, JAMES WHITESIDE, ROBERT VAIL, AARON HOOPER, THOMAS GIBBONS
Dolby
Filmed using our PlateLight and DynamicLight technologies.
All effects are in-camera.
THOR : RAGNAROK
Satellite Lab “created the look for Valkyrie's flashback in Thor: Ragnarok”. — Taika Waititi.
We developed this cinematic approach at our studio in collaboration with director Taika Waititi and VFX supervisor Jake Morrison. This included a custom variation of our patented DynamicLight technology, which was transported to location in Australia for the live action shoot with Cate Blanchett, Tessa Thompson and many winged horses.
Some related press:
...an all-too-brief flashback filled with fury, beauty, liquid motion and mythological mystery.
That scene is a jolt, because it’s a reminder of the narrative ambition and mythic grandeur that’s often reduced in this franchise to epic fights, fancy elocution and special effects
SYFY (includes behind the scenes photographs)
THOR: RAGNAROK USED AMAZING NEW TECH TO SHOW OFF VALKYRIE'S BATTLES
one of the most visually-stunning scenes in a Marvel movie ever.
"I’ve never seen anything like it, that particular flashback that Val has," Blanchett said. The actress recalled that for the filming of this "amazing" sequence
There is arguably one scene that stands out from the rest when it comes to its pure aesthetic impact: the Valkyrie flashback.
one of the year’s most impressive-looking sequences... simply jaw-dropping.
CHRISTIAN LOUBOUTIN
Light moves horizontally, vertically, in an arc and in a straight line.
Read moreINTERACTIVE FINLANDIA VODKA, INTERACTIVE.

Directed by Carlo Van de Roer
INTERACTIVE PORTRAIT OF ALAN PALOMO OF NEON INDIAN

Commissioned by Microsoft. Directed by Carlo Van de Roer.
See the project and behind the scenes footage here
INTERACTIVE PORTRAIT OF MATTHEW DEAR
In this interactive example, scrolling with mouse or touchscreen reviews the path of the light, which in this shot moves in an arc around the subject.
Read more