Lexus Aura Experiment
LG Signature + Misty Copeland
Lexus: 2020 RC F Track Car
We utilized our PlateLight and DynamicLight technology to create the spots and FrameLight to create high resolution stills of the same content
Genaissance de la Mer
Northface Apex Flex Motion / Interactive.
For The Northface Apex Flex 2018 campaign we shot the stills and motion components simultaneously using our FrameLight technology. The video and interactive images are captured using our PlateLight tech to record two super high speed moving light sources -- also simultaniously -- this was a fun project!
See the still images here.
DIRECTED BY CARLO VAN DE ROER
NY fire escape step, sand, glass, mirror.
The light starts out moving at thousands of feet per second and then slows down as Taika lands and the footage ramps to real time.
Read moreLa Mer | The Mystery of La Mer: Uncover the Secret
SAMSUNG SUNRISE GOLD
Casey Spooner
Halbwachs Wind, 2018, by Carlo Van de Roer.
Casey Spooner stuck in time, space, a cloud of human hair and a mirror jumpsuit.
Created for SIR: CHARACTER STUDIES, PROMOTIONAL MATERIALS, SELF ACTUALIZATION AND CONTEMPORARY PHOTOGRAPHY 2013-2018 at Neuer Aachener Kunstverein comtemorary art association.
Mirror Jumpsuit by Landeros New York
Make-up by Tony Tulve
DOVE CHOCOLATE
FISCHERSPOONER MUSIC VIDEO
SONG WRITTEN BY MICHAEL STIPE, CASEY SPOONER, WARREN FISCHER, LE CHEV & JOHNNY MAGEE. MIXED BY STUART WHITE.
DIRECTED BY CARLO VAN DE ROER
PRODUCER, MAY LIN LE GOFF
DIRECTOR OF PHOTOGRAPHY, STEPHEN MEIERDING
EDITOR, WARREN FISCHER
COLORIST, DANIEL SILVERMAN AT MPC
GAFFER, REED NISSON
DIT, DAISUKE YOSHIDA
SATELLITE LAB TECHNICIAN, STUART RUTHERFORD
LIGHTING TECHNOLOGY, SATELLITE LAB
ASSISTANTS, DOUG LANE, ERIC SOUCY, SCOTT RINEHART
SENIOR COLOR PRODUCER, JENNA GABRIEL AT MPC
SENIOR VFX PRODUCER, PAULINA SALAZAR AT MPC
VFX CREATIVE DIRECTOR, ALVIN CRUZ AT MPC
VFX LEAD, JOHN SHAFTO AT MPC
COMPOSITORS, GIULIA BARTRA, JERIC PIMENTEL AT MPC
ASSISTANT EDITOR, IDA CHELENGAR
ANIMATION, DANIEL SPANGLER
GRAPHIC DESIGN, NICOLAS SANTOS
STYLIST, JEFF MAHSHIE
MAKE UP ARTIST, LIZ OLIVER
SET DESIGN, CHRIS RUCKER, AMY HENRY
CAST, CASEY SPOONER, JOHNNY MAGEE, JAMES WHITESIDE, ROBERT VAIL, AARON HOOPER, THOMAS GIBBONS
Northface Jacket 3 Detail 2
Jacket 3 detail 2
Read moreDolby
Filmed using our PlateLight and DynamicLight technologies.
All effects are in-camera.
THOR : RAGNAROK
Satellite Lab “created the look for Valkyrie's flashback in Thor: Ragnarok”. — Taika Waititi.
We developed this cinematic approach at our studio in collaboration with director Taika Waititi and VFX supervisor Jake Morrison. This included a custom variation of our patented DynamicLight technology, which was transported to location in Australia for the live action shoot with Cate Blanchett, Tessa Thompson and many winged horses.
Some related press:
...an all-too-brief flashback filled with fury, beauty, liquid motion and mythological mystery.
That scene is a jolt, because it’s a reminder of the narrative ambition and mythic grandeur that’s often reduced in this franchise to epic fights, fancy elocution and special effects
SYFY (includes behind the scenes photographs)
THOR: RAGNAROK USED AMAZING NEW TECH TO SHOW OFF VALKYRIE'S BATTLES
one of the most visually-stunning scenes in a Marvel movie ever.
"I’ve never seen anything like it, that particular flashback that Val has," Blanchett said. The actress recalled that for the filming of this "amazing" sequence
There is arguably one scene that stands out from the rest when it comes to its pure aesthetic impact: the Valkyrie flashback.
one of the year’s most impressive-looking sequences... simply jaw-dropping.
CHRISTIAN LOUBOUTIN
Light moves horizontally, vertically, in an arc and in a straight line.
Read moreEXPERIMENTAL INSTALLATION WORK
By Carlo Van de Roer. Playing with the changeability of a moment frozen in time.
Captured in 1/60th of a second, in-camera using light sources moving eight times the speed of sound.
In a physical space, your position in front of the frozen image changes the position of a moving light source within the image.
Previewable here via mouse or touchscreen.

10:46:52 am (Ironing board and sand sourced from the construction of a domestic space + dichroic glass).


An Installation at the New Museum’s 231 Bowery gallery space, as part of the 2016 New Inc Showcase.
HOURGLASS COSMETICS. LIGHT REACTIVE POWDER.

STONE ISLAND REFLECTIVE JACKET
Video content was shot with Phantom camera. Stills were simultaneously acquired on a separate camera during shooting.
Read moreNIKE CLEATS
Moving light slows down from thousands of feet per second to tens of feet per second, then accelerates again. The resulting footage speeds up and slows down, while light sources move at the same pace throughout.
Read more